Since its inception, we have often quipped that the Beaches Photography Club is a social club that also does photography!
The Member Spotlight was created to emphasize that notion by focusing
on members’ stories, which are always interesting and revealing. It provides a
way to learn about one another and forge connections we might
not have made otherwise.
Meet: Sean Traynor |
Our club is comprised of some remarkable members of varying backgrounds. From working professionals to talented enthusiasts, there is a place for everyone. This time, meet the remarkable Sean Traynor!
Let's learn more! We asked him... 1. How did you get into photography? When I was in college, I was most fortunate to have a Nobel Prize winner (Ernest Walton) as my Physics professor. He was an amazing teacher and very humble man. He encouraged me to start taking photos and allowed me to use the departmental dark room to learn about photo developing and printing. In my business career, I was fortunate enough to do a lot of international travel, so I then started taking photos of unique places around the world. Looking back, my early photos were pretty terrible, but, gradually I got better at it and, of course, bought better equipment.
3. What advice would you give to someone starting out in photography?
I believe that it does not require the best (i.e. expensive) equipment in order to become a good photographer. One of the best tools in my equipment bag is my iPhone and I use it a lot, especially when traveling. Learning about composition, interesting subjects and “seeing the light” are primary skills and can be mastered with inexpensive equipment. Buying expensive newer cameras is not at all a ticket to becoming a good photographer. So, start simple and learn and by all means step up to more expensive equipment when you reach the limitations of your current camera.
2. What kind of things do you most like to photograph?
I try to photograph as wide a range of subjects as possible, in order to stretch my “vision”. As a trained scientist, I am very left-brained and analytical by nature. So, doing wildlife photography, which requires good technical skills and understanding equipment, is the easiest for me. However, I recognize that right-brained creative people, see the world very differently than I do and can create images that I never could. They “see the light” differently than I do. So, I purposely try to challenge my right-brain by taking more creative photos such as landscapes, people etc. That is more difficult for me, but what I learn from that, I try to take that creative element back to my Wildlife photography and it really helps. So, I do believe that it is important not to get stuck taking just one type of subject, e.g. Wildlife, but to push ourselves to other challenging subjects, because it requires different techniques, understanding of light etc. that makes us a better a photographer overall. 3. How’d you come to be a member of the BPC? joined BPC in 2013 when I retired and moved from NJ. The club was quite a bit smaller then, but extremely welcoming. I had been in a club in NJ that was quite active. One of the most attractive things about BPC is the wide range of photographers and skills and their willingness to share their knowledge with others. There is no doubt in my mind that BPC is one of the best clubs in the country, as is evidenced by its growth and the number of awards that its members win. The leaders and Steering Committee do a wonderful job in attracting top photographers as speakers with a wide range of specializations.
4. What’s in your camera bag right now?
I shoot with a Canon R3 which, up until recently, was Canon’s flagship camera for sports and wildlife photography. It has an amazing auto-focus and tracking system and my “go-to” camera for serious photo and video shooting. It pairs exceptionally well for “long lens” photography. | My back-up camera is a Canon R6II which came out three years later, was half the price of the R3 but, has almost the same auto-focus system. It is smaller and lighter and I usually keep a smaller zoom lens on it, so that, in safari situations, I have quick access to two different focal length lenses and avoid changing out the lens. The cameras have exactly the same Custom Function Button set-up, so that I don’t have to fiddle with different controls and miss “the moment.” Since I do quite a bit of travel to extreme environments, having a back-up camera is essential, because so many things can go wrong if we rely on only one camera. If you cannot afford a back-up camera, borrowing one from a friend, or renting one for a week or two is a practical alternative. 5. Tell us about a few images of which you are most proud, explain how they were made, and please share them so we can feature them (pictures featured at bottom of the page)
6. What advice would you give to someone considering joining BPC? One of the things that sets BPC apart from other clubs is the number of field-trips that are available. Nancy Flynn does an amazing job in finding interesting places and subjects in the community to photograph. This is a wonderful way to get to know the area, meet interesting and talented people and just have fun. I would also highly recommend that new members join the “meeting after the meeting” (MAM) dinner gatherings, after each monthly meeting. This is a great way to meet other members, learn about their interests and make new friends. The wonderful. inclusive social atmosphere at BPC is one of the key reasons that it is among the best camera clubs in the country With an international flair and a keen eye for photographic magic - Sean has captured some absolutely remarkable images. Check out some of his amazing work below... |